Nikki Elle
Cart 0
 

New single ‘DARK ART’
OUT NOW

 
New-Single-Bkgd-13.png

I wasn’t a natural when it came to instruments, but when I first saw someone playing an upright bass at 10 years old…

it was like being STRUCK by LIGHTNING.

 
 
Meet-Nikke-04.png
 
 

I knew what I wanted to do and never looked back.

All throughout middle and high school I spent my weekends at the Manhattan School of Music training to become a professional jazz and classical musician, and developing my own personal relationship with musical expression. By the time I was 15 I was gigging regularly.

Meanwhile, my free time was spent in basements jamming with friends into the late hours, with no genre off limits, in an atmosphere of pure creative freedom. In school I was learning technique, discipline, and theory, and in those informal sessions I learned how to improvise, self-motivate, and get out of my own head.

 
Meet-Nikke-Bkgd2.jpg
 
 

While studying Music Performance with Linda McKnight at the John J. Cali School of Music, I joined the New York Youth Symphony, where I was principal double bassist. We tackled complex pieces of repertoire and played regularly at Carnegie Hall, approaching classical music with that same jam-session enthusiasm. 

In 2008 I expanded into session work, which eventually led to collaborations with independent artists, teaching, consulting, and social activism.

Throughout my education and career I’ve been blessed with musical mentors, including sound meditation expert Alexandre Tannous, who taught me both the importance of craft and professionalism, and the deeper esoteric and spiritual value of music- values that play a part in all that I do.

 
 

DARK ART [ft Street Peach] marks Nikki Elle’s first official release as a solo artist.

Prototype_17-2.jpg

Core VALUES

 
 
 

Music can change lives and communities.

I see music as an incredible force for social impact, fostering growth, education, empathy, knowledge, wisdom, and community. My aim is to help people find their own unique path in music by addressing common challenges like intimidation and accessibility, while emphasizing play, experimentation, and intrinsic motivation.

 

Art should not be defined by industry, and neither should success.

It’s my belief that the way music has been assimilated and appropriated by capitalism is unhealthy for us on both an individual and societal level. It’s both misleading and unhealthy to idolize pop stars who have hundreds of thousands of dollars and huge teams of professionals at their disposal. It only creates a skewed sense of expectations for success as an artist, as well as what the average individual can achieve musically. 

I believe in the idea that a rising tide lifts all boats, and instead of artists being in competition we should act in support of one another, working to build solidarity economies, and reclaiming our power from corporations and tech companies.

 
 
 

Sound is a vehicle for self-exploration.

In sound we see ourselves and we see the universe, we feel our connection to each other and to everything around us. I believe in the infinite potential of sound and vibration. One of those great potentials is to foster mental discipline, spiritual balance, and heal trauma through sound meditation with trusted and trained experts, and the development of our own personal practices.

I want to expand consciousness and beliefs about what is possible in this world and in our lifetimes by encouraging others to use explore sound as a means for meditation, grounding, healing, and a deeper connection with Self.

 
about-bkgd2.png

 Social ADOVCACY

 
 

Working with Nikki means supporting the work they’re doing to create change and empower communities and individuals through music.


 
 

Some of the groups Nikki has worked with include The Dream Unfinished, an activist orchestra dedicated to civil rights awareness and spotlighting the work black composers, and RYSA, a summer school run by The International Rescue Committee, serving the needs of newly-arrived refugee children. They are also the artistic director for Saylestock, a North Jersey-based music and arts festival that has raised nearly $100,000 for cancer research to date.

Other organizations they work with:

ABRONS ART CENTER

A nonprofit arts center for the Henry Street Settlement offering sliding scale group music classes and summer camp, and supplemental music programs for local high schools on NYC’s Lower East Side.

OPPORTUNITY MUSIC PROJECT

Offers tuition-free music classes and orchestra for low income children.

NEW YORK YOUTH SYMPHONY

Offers tuition-free professional training orchestra & outreach to local hospitals and nursing homes.

HARMONY PROGRAM

Offers tuition-free music classes and orchestra for low income children.

 
About-11.jpg